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CRT’s ‘Twelfth Night’ Makes a Classic Play Contemporary

Victor Maog, who is directing the Connecticut Repertory Theatre’s production of Shakespeare’s “Twelfth Night,” laughs when asked about the expectations people may have after American Theatre magazine cited him as one of the “20 Theatre Professionals to Watch.”

Director Victor Maog
Director Victor Maog

“I’m happy to be in [the magazine],” says Maog, the artistic director of Second Generation Productions in New York City, which cultivates Asian American theater, “but I will back it up with my 20 years of experience. It’s nice to have the spotlight.”

Maog has established a reputation as an award-winning director who bridges the world of theater with diverse communities, audiences, and industries. He has led productions in major institutions in New York City and Los Angeles, as well as non-traditional projects in Chicago’s south side and Phnom Penh, Cambodia. His directing work includes plays such as “The Tempest,” “Blood Wedding,” “The Visit,” and “One Flew Over The Cuckoo’s Nest,” and musical theater including “Spring Awakening,” “Ragtime,” “Sweeney Todd,” and “The Secret Garden.”

“I’m not working any differently [at CRT] than I would in any other place,” he says. “There is the same sort of rigor, same sort of expectation behind it.”

The main challenge, Maog says, is “How do we make the classic also contemporary? How do we make a play we’ve seen one way also inclusive and accessible? Let’s make the Shakespeare of today.”

To read the entire article, visit UConn Today!

“Twelfth Night” will be performed from Dec. 3 to Dec. 13. Evening performances start at 7:30 p.m. on Wednesdays and Thursdays, and at 8 p.m. on Fridays and Saturdays. Select matinee performances start at 2 p.m. on Saturdays and Sundays. For more information go to the CRT website.

Arlene Bozich, foreground, MFA candidate in acting, and Kevin Hilversum ’16 (SFA), in the Connecticut Repertory Theatre’s production of ‘Twelfth Night’ by William Shakespeare. (Gerry Goodstein for UConn)
Arlene Bozich, foreground, MFA candidate in acting, and Kevin Hilversum ’16 (SFA), in the Connecticut Repertory Theatre’s production of ‘Twelfth Night’ by William Shakespeare. (Gerry Goodstein for UConn)

From Practice to Performance: UConn’s Concerto Competition

At the conclusion of “Get Back,” the last song on his band’s final studio release “Let It Be,” John Lennon of The Beatles says sardonically, “I hope we’ve passed the audition.”

His comment was a reference to the times when what became one of the most influential rock ‘n’ roll groups failed auditions while trying to gain a recording contract, in the days before “American Idol” and “The Voice” could jumpstart a successful career in music.

Auditions continue to be part of the music profession – from pop and rock to jazz and classical genres – including UConn’s annual Concerto/Aria Competition which provides the opportunity for students in the music department to perform as soloists in concert with the University’s Symphony Orchestra.

This year’s concert takes place at 8 p.m. on Dec. 10 at J. Louis von der Mehden Recital Hall, featuring performances by graduate student Hyejin Bae, who plays flute, and undergraduates Samantha Lake ’16 (SFA), a tuba player, and Myles Mocarski ’16 (SFA), a violinist.

“It’s a real celebration of the achievements of these particular students,” says Eric Rice, head of the Department of Music. “For all of their professional work as performers, they will have to perform auditions, which can be very stressful. The students who learn not only how to overcome that stress but to perform exceptionally well have the potential to do well in the music business. Our Concerto/Aria Competition audition is a fairly high pressure environment, with three judges sitting in the audience listening to them.”

Twenty students participated in the auditions held in von der Mehden Recital Hall on the afternoon of Halloween, ranging from mezzo-soprano and baritone vocalists to various instrumentalists performing on the piano, trombone, tuba, flute, and bassoon. Each prepared a solo work no longer than eight minutes in length to perform, and could have an accompanist. Often students select a familiar work, one that they have performed for many years.

To read the entire article, visit UConn Today.

To learn more about UConn Music program, visit their site.

Hyejin Bae plays flute during a rehearsal of the University Symphony Orchestra at von der Mehden Recital Hall on Nov. 16, 2015. (Peter Morenus/UConn Photo)
Hyejin Bae plays flute during a rehearsal of the University Symphony Orchestra at von der Mehden Recital Hall on Nov. 16, 2015. (Peter Morenus/UConn Photo)