art and art history

MFA Exhibition Explores Aspects of Self-Discovery

Posted on April 20, 2016 by Rick O'Toole

Sculptor Amanda Bulger and painter Kamar Thomas arrived in Storrs as MFA students in art through different paths.

Bulger grew up on her family’s farm in Wisconsin making art inspired by the rural landscape, and studied art at the University of Wisconsin-Eau Claire. Thomas first arrived in Connecticut as an undergraduate at Wesleyan University in Middletown, and returned to his home in Jamaica to teach art before heading north again to eastern Connecticut to create large, colorful paintings that draw viewers to the canvas.

Their creations are part of the cohort of works that is “The 2016 Master of Fine Arts Exhibition: Are We All Here?” at the William Benton Museum of Art, continuing through May 8.

Thomas calls his series of large, colorful self-portraits “Schizophrenic Masculinity.” The series explores his journey of self-discovery during his time as a student in the United States at Wesleyan and at UConn.

“It was really about coming the U.S. and discovering I was black,” Thomas says about the inspiration for his paintings. “Outside of the U.S., [being black] doesn’t mean the same thing. There isn’t the culture and expectations that are here, having to reconcile those expectations and struggling with that, finding it in many ways. I would say it shows the more activist side of my life, struggling with those questions and just growing up, to be many things at once.”

His creative process involves painting his face with different colors and taking photos that he can use as the foundation of painting on large square canvases, each with a different dominant hue. He says working with a large image both helps him to better see his work through the thick eyeglasses he wears while also allowing him to stay engaged more fully with the painting because he must use his entire body while painting.

“And for the subject matter I’m dealing with, faces and masks, it’s the best format for the size,” Thomas adds. “I call it overwhelming intimacy. If you’re ever that close to someone’s face, you’re either making love or a fight is about to happen.”

Bulger says she was attracted to UConn because it would allow her to live in a familiar rural environment that also provides the found objects from farm life that she uses to create her sculptures. By sheer coincidence, she asked her sculpture professor at the University of Wisconsin-Eau Claire to write a recommendation, not realizing that Jason Lanka, now an assistant professor of art at Sheridan College in Gillette, Wyo., was a 2005 MFA graduate from UConn.

“[Coming to Storrs,] I wouldn’t be suffering from a shift from being on the farm to moving to the city,” Bulger says. “Judith [Thorpe, MFA director,] told me in my interview that there are cows on campus. That kind of sold me.”

To read the entire article, visit UConn Today!

“The 2016 Master of Fine Arts Exhibition: Are We All Here?” continues at the William Benton Museum of Art, 245 Glenbrook Road, Storrs, through May 8. For more information, go to the Benton website.

Intuition, Measuring, Math Underlie Artist’s Work

Posted on April 8, 2016 by Rick O'Toole

Installation artist Jong Oh takes a minimalist approach to his work, building structures by suspending Plexiglass and painted string in the air.

As is his practice, before creating his exhibition “Sotto Voce” in the Contemporary Art Galleries, Oh waited for the uniquely configured space to speak to him.

Artist Jong Oh says he wants visitors to sense the ‘Sotto Voce’ exhibit with their bodies, take their time, go closer, and walk around inside. (Sean Flynn/UConn Photo)

“I come to the gallery or studio and stay there for a few days looking at the space. I listen to the space,” the New York-based Korean artist says. “I don’t have any plans when I get to the space. The space has to allow me to do something. The process is intuitive, but it’s also a lot of measuring and math. Some people think when they see my work that it’s all planned and I know everything before I start, but actually it’s very intuitive.”

Oh spent his childhood in Grand Canaria, Spain. He earned a bachelor’s degree in sculpture from Hongik University in Seoul and an FMA from the School of Visual Art in New York City, where he now lives. He has had solo exhibitions in Austria, Germany, and Mexico.

For Oh’s exhibition in Storrs, the gallery walls are painted white and, as is typical of his work, he uses thread, Plexiglass, and some found objects to create illusions that can change in appearance as a visitor walks through the gallery. He describes his work as “line sculpture.”

To read the entire article, visit UConn Today!

“Sotto Voce: Installations by Jong Oh” will continue through May 6 at the Contemporary Art Galleries in the Department of Art & Art History Building, 830 Bolton Road, Storrs. For more information go to the CAG website.

Protesting Inequalities in the Art World

Posted on April 5, 2016 by Rick O'Toole

Posters on display as part of the Guerrilla Girls exhibition at the Benton Museum. (Amy Jorgensen/UConn Photo)

Among the works in the exhibition is a 1989 billboard poster that addressed concerns at the Metropolitan Museum of Art in New York City. The poster depicts a nude woman wearing a gorilla mask lying on a couch with a headline asking: “Do women have to be naked to get into the Met. Museum? Less than 5 percent of the artists in the Modern Art sections are women, but 85 percent of the nudes are female.”

To read the entire article, visit UConn Today!

“Guerrilla Girls: Art, Activism, and the ‘F’ Word” continues through May 22 at the William Benton Museum of Art, 245 Glenbrook Road, Storrs. For more information, go to the Benton Museum’s website.

Making a Career in Art

Posted on February 19, 2016 by Rick O'Toole

The opening in late January of the third Alumni Biennial exhibition at the Contemporary Art Galleries served not only as a display of recent juried art by UConn MFA graduates, but also as a forum for students to learn about what it takes to pursue a successful career in the world of art.

Judith Thorpe, professor of photography and director of the MFA program, says many UConn MFA graduates are still making art, despite statistics showing a large fall-off nationally for fine arts graduates after leaving school. “We have a good network of alums. Almost 80 percent were still exhibiting,” she says. “They’ve done it through nonprofit galleries, teaching, in museums, and galleries. There’s been a whole way of having a life in the arts that doesn’t deter art-making.”

'Pittsburgh left,' oil on canvas (2014), Deborah Zlotsky '89 MFA. — ‘Pittsburgh left,’ oil on canvas (2014), Deborah Zlotsky ’89 MFA.

The four alumni whose works are exhibited include printmaker Jennifer Dierdorf ’08 MFA, installation artist and sculptor Jared Holt ’14 MFA, video artist Siobhan Landry ’11 MFA, and painter Deborah Zlotsky ’89 MFA.

Barry Rosenberg, director of Contemporary Art Galleries and associate professor of art, says the alumni exhibit is the one show he does not curate. Instead he recruits an outside curator, which for this exhibition was Jay Lehman, co-owner of Morgan Lehman Gallery in New York City, who reviewed an artist’s statement, resume, art images, press clippings, and work submitted by more than 20 MFA alumni.

“Each artist [selected] makes a strong and thoughtful work about seemingly contradictory ideas and emotions, such as hope and longing, distance and intimacy, and sorrow and joy,” Lehman says.

To read the entire article, visit UConn Today!

“Alumni Biennial” at the Contemporary Art Galleries, 830 Bolton Road, Storrs, continues through March 13. For more information go to the Galleries’ website.

Exploring Masculinity Through Art

Posted on February 11, 2016 by Rick O'Toole

From the first Olympic Games in ancient Greece, when images of muscular male athletes were painted on urns, to the images of gods and heroes created in Western art in succeeding centuries, the ideal of masculinity was characterized by the muscular male nude figure. In fact, the male nude was a more frequent figure in art than the female nude for hundreds of years, until the early 19th century, when Victorian morality influenced art and culture.

Toward the end of the 1800s, the advent of “physical culture” (the Victorian version of physical fitness) and the intense realism of the new medium of photography revived interest in the male nude in art that later moved to abstract representations of the male body in painting and sculpture.

Detail from Actor, 2010, Benjamin Degen, oil on canvas over panel, part of the 'Stark Imagery: The Male Nude in Art' exhibit at the Benton Museum. (Sean Flynn/UConn Photo) — Detail from Actor, 2010, Benjamin Degen, oil on canvas over panel, part of the ‘Stark Imagery: The Male Nude in Art’ exhibit at the Benton Museum. (Sean Flynn/UConn Photo)

“Stark Imagery: The Male Nude in Art,” on display at the William Benton Museum of Art through March 13, traces the history of the male body as depicted in drawings, paintings, sculpture, and photography from the 16th century black-and-white chalk drawings of Alessandro Allori, to the late 20th-century photography of Roger L. Crossgrove, emeritus professor of art in the School of Fine Arts, and the early 21st-century paintings of Benjamin Degen.

Sherry Buckberrough, chair of the Department of Art History at the University of Hartford, who wrote much of the exhibition text, says the early 20th-century interest in body-building and sports helped to revive art focused on the nude male body.

“This development had several sources. One was a desire for outdoor activity and healthy bodies after the long Victorian practice of spending most of the time in heavily layered interiors,” she says. “Another was what seems to have been a need to redirect the image of bourgeois masculinity from the properly dressed man sitting in an office to the physically active, strong man. The move from soft to hard revived confidence in masculinity. Interest in healthy, athletic bodies continues to this day.”

To read the entire article, visit UConn Today!

“Stark Imagery: The Male Nude in Art” continues, along with “In-Difference: Reflections on Race,” through March 13 at the Benton Museum of Art, 245 Glenbrook Road, Storrs. For more information go to the Benton website.

Interactive Exhibit Prompts Dialogue on Race

Posted on February 5, 2016 by Rick O'Toole

With 82 percent of adults aged 18-29 using Facebook and a doubling of Pinterest and Instagram usage since 2012 according to the Pew Research Center, it is not surprising that Millennial college students want to share information using a variety of media, including art in a museum.

This is reflected in the interactive exhibition at the William Benton Museum of Art “IN-DIFFERENCE: Reflections on Race,” which was designed by students in the School of Fine Arts as a collaborative classroom response to the 2015- 2016 UConn Reads theme of “Race in America.” The exhibit continues through March 13.

To read the entire article, visit UConn Today!

“IN-DIFFERENCE: Reflections on Race” continues at the William Benton Museum of Art, 245 Glenbrook Road, Storrs, through March 13. Also at the museum is “Stark Imagery: The Male Nude in Art,” also through March 13. For more information go to the Benton website.